As Good as It Gets

As Good as It Gets
Theatrical release poster
Directed by	James L. Brooks
Screenplay by	Mark Andrus James L. Brooks
Story by	Mark Andrus
Produced by	James L. Brooks Bridget Johnson Kristi Zea
Starring	Jack Nicholson Helen Hunt Greg Kinnear Cuba Gooding Jr. Skeet Ulrich Shirley Knight
Cinematography	John Bailey
Edited by	Richard Marks
Music by	Hans Zimmer
Production companies	TriStar Pictures Gracie Films
Distributed by	Sony Pictures Releasing
Release dates	December 6, 1997 (1997-12-06) (Regency Village Theatre) December 25, 1997 (1997-12-25) (United States)
Running time	139 minutes
Country	United States
Language	English
Budget	$50 million
Box office	$314.1 million

As Good as It Gets is a 1997 American romantic comedy-drama film directed by James L. Brooks, who co-wrote it with Mark Andrus. The film stars Jack Nicholson as a misanthropic, bigoted, and obsessive–compulsive novelist, Helen Hunt as a single mother with a chronically ill son, and Greg Kinnear as a homosexual artist. The film premiered in Regency Village Theatre on December 6, 1997, and was released in theaters on December 25, 1997, and was a critical and box office hit, grossing $314.1 million on a $50 million budget.

Nicholson and Hunt won the Academy Award for Best Actor and Best Actress, respectively, making As Good as It Gets the most recent film to win both of the lead acting awards, and the first since 1991's The Silence of the Lambs. It was also nominated for Best Picture but ultimately lost to Titanic. It is ranked 140th on Empire magazine's "The 500 Greatest Movies of All Time" list.

Plot

Misanthropic New York City best-selling romance novelist Melvin Udall has obsessive–compulsive disorder; he uses soap bars to wash his hands only once, dislikes touching pets, avoids stepping on sidewalk cracks while walking through the city, and eats his breakfast at the same table in the same restaurant. He takes an interest in his waitress, Carol Connelly, the only server at the restaurant who can tolerate his odd behavior.

One day, Melvin's apartment neighbor, gay artist Simon Bishop, is assaulted and nearly killed during a robbery, in which one of the robbers, all of whom are homosexuals, mistakenly believing that Simon is sexually attracted to him, gets totally naked, but then Simon tells him that the portrait of him will not be a nude. Simon's agent, Frank Sachs, intimidates Melvin into caring for Simon's Griffon Bruxellois, Verdell, while he is hospitalized. Although he initially does not enjoy caring for the dog, Melvin becomes emotionally attached to it, simultaneously receiving more attention from Carol. When Simon is released from the hospital, Melvin is unable to emotionally cope with returning the dog. Melvin's life is further altered when Carol decides to work closer to her home in Brooklyn so she can care for her acutely asthmatic son Spencer. Unable to adjust to a different waitress, Melvin arranges through his publisher (whose husband is a doctor) to pay for her son's considerable medical expenses as long as Carol agrees to return to work. She is overwhelmed but doubts his generosity.

Meanwhile, Simon's assault and rehabilitation, coupled with Verdell's preference for Melvin, causes Simon to lose his creative muse and fall into a depression. With no medical insurance, he is approaching bankruptcy due to his medical bills. Frank persuades him to go to Baltimore to ask his estranged parents (who disinherited him for being homosexual) for money. Because Frank is too busy to take the injured Simon to Baltimore himself, Melvin reluctantly agrees to do so; Frank lends Melvin the use of his Saab 900 convertible for the trip. Melvin invites Carol to accompany them on the trip to lessen the awkwardness. She reluctantly accepts, and relationships among the three develop.

Once in Baltimore, Carol persuades Melvin to take her out for dinner. Melvin's comments during the dinner greatly flatter—and subsequently upset—Carol, and she abruptly leaves. Upon seeing her, frustrated, Simon begins to sketch her, semi-nude, in his hotel room, which rekindles his creativity, and he once more feels a desire to paint. He briefly reconnects with his mother, and is able to tell her that he will be fine.

After returning to New York, Carol tells Melvin that she does not want him in her life anymore, but later regrets her statement and calls to apologize. The relationship between Melvin and Carol remains complicated, until Simon (whom Melvin has generously allowed to move in with him, as his apartment has been sublet) persuades Melvin to declare his love for her. Melvin goes to see Carol, who hesitantly agrees to try and establish a relationship with him. The film ends with Melvin and Carol walking together. As he opens the door at an early morning pastry shop for Carol, he realizes that he has stepped on a crack in the pavement, but does not seem to mind.

Cast

Production

In 1996, James L. Brooks flew Geoffrey Rush from Sydney to Los Angeles to audition for the part of Simon Bishop, and offered him the role, but Rush declined it.Betty White was offered a role in the film but she declined, due to a scene in the film where a dog is thrown into a trash chute.

Owen Wilson served as associate producer, one of his first jobs in Hollywood.

Nicholson and Brooks clashed on set regarding Nicholson's performance of Melvin, leading to a production halt for the two to find the correct tone for the character.

The paintings were created for the film by New York artist Billy Sullivan.

Soundtrack

The soundtrack features instrumental pieces composed by Hans Zimmer and songs by various artists. Zimmer's work was nominated for the Academy Award for Best Original Score – Musical or Comedy.

Release

Box office

As Good as It Gets was a box office hit, opening at number three at the box office (behind Titanic and Tomorrow Never Dies) with $12.6 million, and eventually earning over $148 million domestically and $314 million worldwide. It is Jack Nicholson's second highest earning film, behind Batman.

Critical reception

Chicago Reader film critic Jonathan Rosenbaum wrote that what director James L. Brooks "manages to do with [the characters] as they struggle mightily to connect with one another is funny, painful, beautiful, and basically truthful—a triumph for everyone involved."

Praise for the film was not uniform among critics. While Roger Ebert gave the film three stars (out of four), he called the film a "compromise, a film that forces a smile onto material that doesn't wear one easily," writing that the film drew "back to story formulas," but had good dialogue and performances.The Washington Post critic Desson Howe gave a generally negative review of the film, writing that it "gets bogged down in sentimentality, while its wheels spin futilely in life-solving overdrive."

Review aggregator Rotten Tomatoes reports that 86% of professional critics gave the film a positive review based on 83 reviews, with an average rating of 7.30/10. The consensus states: "James L. Brooks and Jack Nicholson, doing what they do best, combine smart dialogue and flawless acting to squeeze fresh entertainment value out of the romantic-comedy genre."Metacritic gave the film a score of 67 out of 100, based on reviews from 30 critics, indicating generally favorable reviews.

Accolades

Home media

The film was released on VHS, LaserDisc and DVD on May 19, 1998. It was released on Blu-ray in the United States on June 12, 2012 as part of Twilight Time's Screen Archives collection. The set was limited to 3,000 units and sold out quickly.

Sony Pictures released the film on 4K UHD Blu-ray on October 25, 2022 as part of its Columbia Classics 4K Ultra HD Collection Volume 3, along with It Happened One Night, From Here To Eternity, To Sir, With Love, The Last Picture Show and Annie.

External links

Wikiquote has quotations related to As Good as It Gets.

• As Good as It Gets at IMDb
• As Good as It Gets at the TCM Movie Database
• As Good as It Gets at AllMovie
• As Good as It Gets at the American Film Institute Catalog
• As Good as It Gets at Box Office Mojo
• As Good as It Gets at Rotten Tomatoes
• As Good as It Gets at Metacritic
• As Good as It Gets at The New York Times
• As Good as It Gets soundtrack review at AllMusic