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American Splendor

American Splendor

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American Splendor
American Splendor no 1.jpg
Cover of American Splendor #1 (1976), art by Gary Dumm (pencils) and Greg Budgett (inks).
Publication information
Publisher Harvey Pekar (1976–1991)
Dark Horse Comics (1993–2002)
DC Comics (2006–2008)
Schedule Yearly (1976–1991)
Irregular (1993–2008)
Format Ongoing series
Publication date May 1976 – September 2008
No. of issues 39
Main character(s) Harvey Pekar
Joyce Brabner
Toby Radloff
Danielle Batone
Creative team
Written by Harvey Pekar
Artist(s) Robert Crumb
Gary Dumm
Greg Budgett
Brian Bram
Collected editions
The Life and Times of Harvey Pekar ISBN 0-345-46830-9
More American Splendor ISBN 0-385-24073-2

American Splendor is a series of autobiographical comic books written by Harvey Pekar and drawn by a variety of artists. The first issue was published in 1976 and the last one in September 2008 (Pekar died in 2010), with publication occurring at irregular intervals. Publishers were, at various times, Harvey Pekar himself, Dark Horse Comics, and DC Comics.

The comics have been adapted into a film of the same name and a number of theatrical productions.

Origins

Despite comic books in the United States being traditionally the province of fantasy-adventure and other genre stories, Pekar felt that the medium could be put to wider use:

When I was a little kid, and I was reading these comics in the '40s, I kind of got sick of them because after a while, they were just formulaic. I figured there was some kind of a flaw that keeps them from getting better than they are, and then when I saw Robert Crumb's work in the early '60s, when he moved from Philadelphia to Cleveland, and he moved around the corner from me, I thought, 'Man, comics are where it's at'.

Pekar's philosophy of the potential of comics is also expressed in his often repeated statement that "comics are words and pictures. You can do anything with words and pictures". In an interview with Walrus Comix, Pekar described how the idea of producing his own comic book developed. In 1972 when Crumb was visiting him in Cleveland, Pekar showed him his story ideas. Not only did Crumb agree to draw some of them but also offered to show them to other artists to draw. By 1975, Pekar decided to produce and publish his own comic book.

Recurring character Toby Radloff first appeared in American Splendor #9 (1984), as did Joyce Brabner. Pekar and Brabner's adopted daughter, Danielle, was first introduced in American Splendor: Bedtime Stories (1999).

Themes

The stories in American Splendor concern the everyday life of Pekar in Cleveland, Ohio, told in a brutally frank style akin to the writing of Henry Miller. Pekar's stories eschew traditional narrative structure, focusing on small moments and observations. As Robert Pulcini, co-writer and co-director of the American Splendor film, said: "The whole point of the American Splendor comics is that life doesn't really organize itself well".

Situations covered include Pekar's job as a file clerk at a Veteran's Affairs hospital and his relations with colleagues and patients there. There are also stories about Pekar and his relations with friends and family, including his second wife, Lark (issues #5, #7), his third wife, Joyce Brabner (issue #9 onward), and their adopted daughter, Danielle. Other stories concern everyday situations such as Pekar's troubles with his car, money, his health, and his concerns and anxieties in general. Several issues (#14, #13, #18) give accounts of Pekar's becoming a recurring guest on the NBC television show Late Night with David Letterman, including a 1987 interview segment in which Pekar criticized Letterman for ducking criticism of General Electric, the parent company of NBC. American Splendor sometimes departs from Pekar's own life, with stories about jazz musicians (#23), the artists for his comics (#25), and a three-issue miniseries American Splendor: Unsung Hero (#29–31), which chronicles the Vietnam experience of Pekar's African-American co-worker Robert McNeill.

Artists

Pekar was not an artist himself, incapable of "drawing a straight line", according to a line in the film version of his story, so he recruited his friend, underground comics artist Robert Crumb, to help launch American Splendor. As Crumb described it:

"...[H]e didn't draw at all. He never even tried to learn. But he understood comics very well, and the rhythm of comics.... He was deeply into comics so he had a feel for how to tell a story in comic book form.... He was a great comic book writer".

As The Complete Crumb Comics co-editor Robert Fiore wrote about the Pekar/Crumb collaborations:

[I]n American Splendor, Crumb's work stood out for ... the way he really made Pekar's voice SING. His style embodied Pekar's voice.... He turned Pekar's scripts into pure comics, into something that would have been inferior in any other medium.... But I think what makes all of their collaborations work so well is the fact that Crumb is as sympathetic a collaborator as Pekar ever had. It's not just the fact that Crumb draws better than everybody else, he knew what to draw. Just as Pekar knew what to write.... Their mutual understanding of each other helped me appreciate each as artists and voices....

As things evolved, however, Crumb explained:

"I didn't want to spend all of my time just drawing [Pekar's] stuff. So, he very quickly realized that and got other artists to draw his stuff too. He chased down all kinds of artists to draw his comics".

In addition to Crumb, Pekar's most well-known and longest-running collaborators included Gary Dumm, Greg Budgett, Spain Rodriguez, Joe Zabel, Gerry Shamray, Frank Stack, Mark Zingarelli, and Joe Sacco. Other notable American Splendor illustrators include Alison Bechdel, Brian Bram, Chester Brown, Alan Moore, David Collier, Drew Friedman, Dean Haspiel, Val Mayerik, Josh Neufeld, Jim Woodring, and Ed Piskor. The later Vertigo Comics-published issues employed a new crop of artists, including Ty Templeton, Richard Corben, Hunt Emerson, Eddie Campbell, Gilbert Hernandez, Ho Che Anderson, and Rick Geary.

Publication history

Pekar produced seventeen issues of American Splendor from 1976 to 1993 — usually each May — which, except for the last few issues, he also self-published and self-distributed. By keeping back issues in print and available (contrary to the industry practice of the time), Pekar continued to receive income on previously completed work, although at the time some of them were published, according to his Comics Journal interview (1985), he was losing thousands of dollars per year on the books. Starting in 1994, additional American Splendor were published by Dark Horse Comics, although these issues are not numbered. They include the two-issue American Splendor: Windfall and several themed issues such as American Splendor: Transatlantic Comics and American Splendor: On the Job. In September 2006, a four-issue American Splendor mini-series was published by the DC Comics imprint Vertigo. A second four-issue miniseries was published by DC in 2008.

List of American Splendor issues
Number Date of Publication Pages (including cover) Artists Publisher
1 May 1976 52 Brian Bram, Greg Budgett, Robert Crumb, Gary Dumm, Lad Jeric Harvey Pekar
2 April 1977 60 Bram, Budgett, Crumb, Dumm Harvey Pekar
3 1978 56 Budgett, Crumb, Dumm Harvey Pekar
4 1979 60 Crumb, Dumm, Michael T. Gilbert, Gerry Shamray Harvey Pekar
5 1980 60 Budgett, Crumb, Dumm, Shamray Harvey Pekar
6 1981 60 Budgett, Dumm, Michael T. Gilbert, Shamray Harvey Pekar
7 June 1982 60 Kevin Brown, Budgett, Sean Carroll, Sue Cavey, Crumb, Rick Dahl, Dumm, Jack Millie, Shamray Harvey Pekar
8 1983 60 Brown, Budgett, Cavey, Crumb, Dumm, Shamray Harvey Pekar
9 1984 60 Carroll, Crumb, Dumm, Philip Fried, Barry Hoffman, Bill Knapp, Val Mayerik, May Midwest, M. Sonoda Harvey Pekar
10 1985 60 Bill Crook, Dumm, Knapp, Mayerik, Sonoda, Joe Zabel Harvey Pekar
11 1986 60 Joyce Brabner, Budgett, Dumm, Knapp, Mayerik, Spain Rodriguez, Ed Wesolowski, Zabel Harvey Pekar
12 1987 60 Budgett, Gilbert Clark, Crumb, Dumm, Drew Friedman, Mayerik, Shamray, James Sherman, Spain, Frank Stack, Wesolowski, Zabel Harvey Pekar
13 1988 60 Budgett, Dumm, Friedman, Rebecca Huntington, Paul Mavrides, Mayerik, Don Simpson, Stack, Wesolowski, Zabel Harvey Pekar
14 1989 60 Alison Bechdel, Budgett, Stephen DeStefano, Dumm, Linda Dumm, William Fogg, Friedman, Huntington, Mavrides, Simpson, Stack, Wesolowski, Zabel Harvey Pekar
15 1990 60 Chester Brown, Dumm, Knapp, Alan Moore, Carol Sobocinski, Spain, Stack, Richard G. Taylor, Wesolowski, Zabel, Mark Zingarelli Harvey Pekar
16 Nov 1991 60 Dumm, Sobocinski, Spain, Stack, Jim Woodring, Zabel Harvey Pekar in association with Tundra Publishing
17 1993 60 Dumm, Mavrides, Joe Sacco, Shamray, Sobocinski, Stack, J. R. Stats, Alex Wald, Woodring, Zabel Dark Horse Comics
(18) A Step Out of the Nest Aug 1994 36 Dumm, Zabel Dark Horse
(19) Windfall 1 Sep 1995 44 Dumm, Josh Neufeld, Stack, Zabel Dark Horse
(20) Windfall 2 Oct 1995 44 Dumm, Scott A. Gilbert, Neufeld, Sacco, Stack, Zabel Dark Horse
(21) Comic-Con Comics Aug 1996 28 Dumm, Scott A. Gilbert, Neufeld, Zabel Dark Horse
(22) On the Job May 1997 28 Dumm, Sacco, Stack, Zabel Dark Horse
(23) Music Comics Nov 1997 28 Sacco Dark Horse
(24) Odds and Ends Dec 1997 28 Dumm, Sam Hurt, Neufeld, Sacco, Shamray, Zabel Dark Horse
(25) Transatlantic Comics Jul 1998 28 Stack, Colin Warneford Dark Horse
(26) Terminal Sep 1999 28 Dumm, Sacco, Stack Dark Horse
(27) Bedtime Stories June 2000 28 David Collier, Dean Haspiel, Neufeld, Sacco, Spain, Stack Dark Horse
(28) Portrait of the Author in his Declining Years Apr 2001 28 Collier, Dumm, Haspiel, Neufeld, Sacco, Stack Dark Horse
(29) Unsung Hero 1 Aug 2002 28 Collier Dark Horse
(30) Unsung Hero 2 Sep 2002 28 Collier Dark Horse
(31) Unsung Hero 3 Oct 2002 28 Collier Dark Horse
(32) 1 Nov 2006 36 Hilary Barta, Budgett, Dumm, Glenn Fabry, Haspiel, Ty Templeton Vertigo (DC Comics)
(33) 2 Dec 2006 36 Eddie Campbell, Richard Corben, Haspiel, Leonardo Manco, Chris Samnee, Chris Weston, Chandler Wood Vertigo
(34) 3 Jan 2007 36 Zachary Baldus, Budgett, Giuseppe Camuncoli, Dumm, Hunt Emerson, Rick Geary, Haspiel, Neufeld, Templeton, Steve Vance Vertigo
(35) 4 Feb 2007 36 Ho Che Anderson, Baldus, Budgett, Dumm, Emerson, Bob Fingerman, Geary, Haspiel, Gilbert Hernandez Vertigo
(36) Vol 2 1 June 2008 36 Baldus, Barta, Philip Bond, Haspiel, Mike Hawthorne, David Lapham, John Lucas, Ed Piskor, Weston Vertigo
(37) Vol 2 2 July 2008 36 Baldus, Budgett, Dumm, Emerson, Haspiel, Lora Innes, Lapham, José Marzan Jr., Neufeld, Darick Robertson, Templeton Vertigo
(38) Vol 2 3 Aug 2008 36 John Cebollero, Darwyn Cooke, Geary, Haspiel, Sean Murphy, Neufeld, Warren Pleece, Samnee Vertigo
(39) Vol 2 4 Sep 2008 36 Budgett, Dumm, Geary, Haspiel, Robertson, Templeton Vertigo

Collected editions

Many stories from American Splendor have been collected into trade paperbacks from various publishers, their material not (for the most part) overlapping:

Graphic novels

Pekar wrote two larger works which carry the American Splendor label: Our Movie Year (Ballantine Books, 2004), a collection of comics written about or at the time of the American Splendor film, and Ego & Hubris: The Michael Malice Story (Ballantine, 2006), a biography of the early life of the author Michael Malice.

Pekar also wrote two graphic novels which are not officially labeled American Splendor but which should arguably be considered part of it: Our Cancer Year (Four Walls Eight Windows, 1994), co-written with Pekar's wife Joyce Brabner and illustrated by Frank Stack, covering the year when Pekar was diagnosed with cancer; and The Quitter (DC Comics, 2005), illustrated by Dean Haspiel, which deals with Pekar's youth.

Adaptations

Theatrical productions

Theatrical productions based on American Splendor have been mounted over the years:

Film

In 2003 a movie adaptation featuring Paul Giamatti playing Pekar (as well as appearances by Pekar himself) and Hope Davis as his wife was released to critical acclaim and first honors at the Sundance Film Festival, in addition to the Writers Guild of America Award for best adapted screenplay. The film was written and directed by documentarians Shari Springer Berman and Robert Pulcini, and was filmed entirely on location in Cleveland and Lakewood in Ohio. At the 2003 Cannes Film Festival, the film received the FIPRESCI critics award. It was also nominated for Best Adapted Screenplay at the 2003 Academy Awards.

Sources

External links


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